They may be worth looking into - but not before committing to just a few hours of education on the basic elements of how soundwork is done. Exposure X6 The fastest RAW editor with the Lightroom level of noise reduction. Noise Ninja One of the oldest noise reduction programs. Skylum Luminar AI One of the best AI-powered noise reduction programs. Noiseware One of the best plugin only noise reduction program. Bubblebee Industries has a good brand-agnostic line of lav placement kits, foams, problem solvers, etc., to solve these exact types of problems in the field before you destroy your audio, and subsequently your credibility. Dfine The only plugin that allows reducing noise selectively. Once you have the basics, then consider investing in some quality lav accessories, like lav concealers, clips, tapes - pretty much everything you need to get rid of (or get just the right amount) of rustle exists already. My suggestion is to invest in a class (they're all online now!) or spend several hours on Vimeo or Youtube educating yourself on lavalier placement and techniques - there is a surprising amount of finesse and skill that goes into placing a lav. Post software should be used as a last resort. When you de-noise audio of human voices, the algorithms used often are destructive processes from which no recording can recover its original timbre, nuance, quality. active space of a song could reduce the fitness. Nothing that can be solved in the field with hardware or technique should ever, ever be solved with software in post, especially when it comes to removing noise from dialog. In urban environments, anthropogenic noise may mask bird song. There is no button with "fix-it-in-post" written beneath. ![]() If I can't get a take with a microphone, amplifier, recorder, and a few simple accessories - no one will save me or my job. In my book, which is a bit different than some - I always assume post-processing software and DSP does not exist. But it is the demarcation between sound captured by a professional, vs. ![]() If you record dialog in the field, the audio you record should be clean, and flawless, and the dialog crisp and intelligible, under all possible conditions, including the vacuum of space.
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